Tag: A24
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Pearl Review – Mia Goth’s Twisted Delusions of Grandeur
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
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‘Bodies Bodies Bodies’ Is Easily A New Addition To Modern Slasher Classics
‘Bodies Bodies Bodies’, the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it’s a perfect addition to modern slasher classics.
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“Marcel the Shell with Shoes On” is the most Human Film of the Year.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
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X: A24’s Latest Horror Film is Sensual and Sensitive
A24 keeps producing amazing films and X belongs with all the brilliant titles under its name. And is definitely a must-watch for a film enthusiast!
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‘Minari’: Authenticity Without The Trauma Porn
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic…
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Saint Maud & The Madness of Fanaticism
TW: Sexual Assault, Mental Illness, Body Horror // Minor Spoilers Below Rose Glass’ directorial debut, Saint Maud, explores the term “god complex” to an extreme. The film follows Maud, a young nurse who has recently been “saved” by God (through Catholicism) and believes she has a bigger purpose for it. She tries to implement her…
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How Ts Madison Stole the “Zola” Trailer
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.