Tag: Women in Film

  • Reclaiming Her Body: “Jennifer’s Body” & Why We Need Diverse Storytellers

    Reclaiming Her Body: “Jennifer’s Body” & Why We Need Diverse Storytellers

    The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In…

  • “Coven of Sisters”: Church vs. Women

    “Coven of Sisters”: Church vs. Women

    Witch trials were a widespread phenomenon in Europe and North America between the XVI and XIX centuries. Despite how ridiculous it may sound, a lot of people were condemned to death accused of witchery, especially women. The Holy Inquisition had opened a total of 125,000 processes during those years, and at least 59 people were…

  • Top 30 Female Leads in Movies

    Top 30 Female Leads in Movies

    Incluvie’s best movies with female leads. Check out this article which presents top 30 Female Protagonists in Film. The characters that made the cut are in essence – girls that kick butt, challenge stereotypes/gender norms.

  • “She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

    “She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

    In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s…

  • Stowaway: Netflix’s Latest Space Hit

    Stowaway: Netflix’s Latest Space Hit

    In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who…

  • “Imagine Me & You” is a Sweet, if Dated, Rom-Com for the Ages

    “Imagine Me & You” is a Sweet, if Dated, Rom-Com for the Ages

    Imagine Me & You tells the story of Rachel, a newlywed bride who begins to question her sexuality after meeting Luce, an out lesbian who does the floral arrangements for her wedding. As the two begin to develop a closer bond, Rachel finds herself falling for Luce while trying to figure out what this means…

  • ‘Hysterical’ is an Absolute Must-See of 2021

    ‘Hysterical’ is an Absolute Must-See of 2021

    In recent weeks, I’ve been on a quest to delve into the disparities in representation within the stand-up comedy community. With no shortage of stand-up specials constantly being released across every platform, it seems only fitting to dig deeper into a behind-the-scenes look at how certain advantages and disadvantages take their toll on diverse joke-telling.…

  • How Subtle is Too Subtle in ‘Nomadland’?

    How Subtle is Too Subtle in ‘Nomadland’?

    Minor Spoilers Ahead They say home is where the heart is, and Nomadland is all heart…if you project onto it, at least. Following a woman living in her van going from one temporary, minimum-wage job to the next, the film gives some insight into a world often hidden from the on-screen due to its often…

  • Margarita with a Straw (2014) Movie Review

    Margarita with a Straw (2014) Movie Review

    Shonali Bose’s Margarita with a Straw (2014) is a moving coming-of-age film. Its journey of discovery and self-love is tender and emotionally fulfilling. It also wrestles with important issues such as disability, inclusion, and sexuality. Unfortunately, its plot feels confused and convoluted at points, its second half lacking in a clear progression of story and…

  • The Invitation (2015): Grief is on The Menu

    The Invitation (2015): Grief is on The Menu

    The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.